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Music 2000 |
Programme of Study for Year 3 |
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Key Stage 2 |
A & C Black 'Music Express' |
"Animal Magic" |
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Pupils should be taught how to: |
Objectives |
Activities |
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Controlling sounds through singing and playing - performing skills |
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Page/Activity |
| 1a |
sing songs, in unison and two parts, with clear diction, control
of pitch, a sense of phrase and musical expression |
To sing descriptive songs; |
8/1; |
| 1b |
play tuned and untuned instruments with control and rhythmic accuracy |
To perform accompaniments using tuned and untuned instruments; |
8/3; |
| 1c |
practise, rehearse and present performing with an awareness of
the audience |
To perform a composition; |
13/3; 15/3; |
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Creating and developing musical ideas - composing skills |
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Page/Activity |
| 2a |
improvise, developing rhythmic and melodic material when performing |
To compose patterns which represent animals; |
13/2; |
| 2b |
explore, choose, combine and organise musical ideas within musical
structures |
To develop a musical sequence; |
13/3; 15/2; |
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Responding and reviewing - appraising skills |
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Page/Activity |
| 3a |
analyse and compare sounds |
To compare sounds representing animals; |
10/2; |
| 3b |
explore and explain their own ideas and feelings about music using
movement, dance, expressive language and musical vocabulary |
To match sounds and movement descriptively; |
8/2; 11/1; 11/2; 11/3; 13/1; |
| 3c |
improve their own and others' work in relation to its intended
effect |
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Listening, and applying knowledge and understanding |
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Page/Activity |
| 4a |
to listen with attention to detail and to internalise and recall
sounds with increasing aural memory |
To listen and respond to descriptive music; |
10/1; |
| 4b |
how the combined musical elements of pitch, duration, dynamics,
tempo, timbre, texture and silence can be organised within musical
structures and used to communicate different moods and effects |
To select particular ways in which the elements combined expressively; |
10/1; 10/2; |
| 4c |
how music is produced in different ways and described through
relevant established and invented notations |
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| 4d |
how time and place can influence the way music is created, performed
and heard |
To listen to music from India; |
11/3; |